London: William Heinemann, Ltd in association with Chatto & Windus; Cassell & Company, Ltd; and Longmans, Green & Company, 1924-7. Foolscap 8vo. 35 volumes, set. Some reprints but most volumes are the first impression of this edition. Original dark navy leather, gilt. Top edges gilt. Silk marker ribbons. Only volume.....
London: Methuen & Co. Ltd, 1928. 8vo. First edition. Original maroon cloth, gilt. Neat ink ownership, dated 1928, on fly. Unclipped d/w is darkened on the spine, with a tiny tape repair to the head, and rubbed along the top edge. Near fine in very good + d/w. The author.....
London: Jonathan Cape, 1948. 8vo. First edition. Original blue cloth. Illustrated by the author. Slightly skewed. Boards faded along the top and bottom edges. Unclipped d/w is a bit tanned and rubbed. Very good + in very good + d/w. An eccentric English writer, living in Ireland, is visited by.....
London: Eyre & Spottiswoode, 1946. 8vo. First edition. Modern red half morocco (by Atkinsons of Salisbury). Spine gilt in compartments. Title page headpiece by the author. Endpapers renewed. Light spotting to first few pages and the fore edge. Near fine. The first book in the 'Gormenghast' trilogy introduces Titus, the.....
Glasgow: The University Press, Glasgow, for The Limited Editions Club, 1938. 8vo. 6 volumes, set. Limited edition. #886 of 1500 sets. Bound in linen, each volume lithographed with a design in colour by Barnett Freedman. Designed by John Easton. The type is Eric Gill's Perpetua and it is printed on.....
London: Secker & Warburg, 1968. 8vo. 4 volumes, set. First editions. Original blue cloth, lettered in gilt. Frontispiece in each volume. Light foxing to edges and some to the prelims, especially in volume 1 which also has an ink ownership on the front free endpaper. The other three volumes have.....
New York: Alfred A. Knopf, 1968. 8vo. First edition. Original blue cloth, gilt and silvergilt. Top edge stained blue. Jacket design by Jeanyee Wong. Spine ends a little faded where the d/w is chipped. Unclipped d/w is chipped and rubbed with small loss to the corner tips. Very good +.....
London: Macmillan, 1991. 8vo. First edition. Original green hardcovers, gilt. Black and white photographic plate sections. Top edge a little spotted. Signed and dated on the title page. Near fine in near fine d/w.
London: Chatto & Windus, Faber and Faber, and John Murray, 1975-2005. 8vo. 12 volumes, set. First editions (except Deep Romantic Chasm which is a second impression). Original hardcovers, gilt. A little rumpling to the top edges of most of the d/ws, especially Ancestral Voices which also has a nick to.....
London: Chatto & Windus, 1980-1981. 8vo. Two volumes, set. First editions. Original blue hardcovers, lettered in gilt. Black and white photographic plates. Jackets designed by John Woodcock. Unclipped d/w spines very slightly faded. Near fine in near fine d/ws.
London: Mantle, 2018. 8vo. First edition, first impression. Original black hardcovers, silvergilt. Silk marker ribbon. Map endpapers. D/w price-clipped. Fine in near fine d/w. "1952. Twelve years have passed since Churchill lost to the appeasers and Britain surrendered to Nazi Germany after Dunkirk."
London: Oxford University Press, 1956. Pott 8vo. Reprint. First published in this series in 1954. Original blind-stamped navy cloth, gilt. Jacket illustration by [Lynton Lamb]. Unclipped d/w with some light dust-marking and tiny chips to the edges of the front panel. Near fine in very good d/w. #540 in The.....
London: Oxford University Press, 1960. Pott 8vo. Reprint. First published in this series in 1936. Original blind-stamped navy cloth, gilt. Jacket design by John Verney. D/w rather tanned on the front panel and edges. Near fine in near fine d/w. #441 in The World's Classics.
London: Oxford University Press, 1964. Pott 8vo. First impression in The World's Classics. Original navy cloth, gilt. Jacket design by Nigel Lambourne. Clipped d/w is a bit rubbed and tanned. Near fine in very good + d/w. #594 in The World's Classics.
London: Oxford University Press, 1970. Pott 8vo. Reprint. First published in The World's Classics in 1937. First published in 1874. Original blind-stamped navy cloth, gilt. Jacket illustration by Bill Botkin. Clipped d/w just a little tanned on the spine. Fine in fine d/w. #450 in The World's Classics. This is.....
London: Oxford University Press, 1963. Pott 8vo. First impression in The World's Classics. First published in Russia between 1887 and 1902. Original blind-stamped navy cloth, gilt. D/w by Lynton Lamb. Unclipped d/w just a little tanned on the spine with a couple of faint marks to the front panel. Near.....
London: Oxford University Press, 1957. Pott 8vo. Reprint. First published in The World's Classics in 1940. Original blind-stamped navy cloth, gilt. Jacket designed by Susan Einzig. Unclipped d/w is a little tanned on the spine and has some light foxing. Near fine in near fine d/w. #266 in The World's.....
London: Oxford University Press, 1958. Pott 8vo. Reprint. First published in The World's Classics as The Cossacks and other Tales of the Caucasus in 1916 and the enlarged Tales of Army Life was first published in 1935. First published in Russia between 1852 and 1889. Original blind-stamped navy cloth, gilt.....
London: Oxford University Press, 1960. Pott 8vo. Reprint. First published in The World's Classics in 1906. Original blind-stamped navy cloth, gilt. Jacket illustration by Ronald Searle. Clipped d/w is a bit dust-marked, rubbed and tanned. Very good + in very good + d/w. #79 in The World's Classics. The only.....
London: Oxford University Press, 1966. Pott 8vo. Reprint. First published in The World's Classics in 1938. Original blind-stamped navy cloth, gilt. Jacket design by C. Walter Hodges. Neat ink ownership on fly. Clipped d/w is slightly foxed and dust-marked. Near fine in near fine d/w. #452 in The World's Classics.....
London: Geoffrey Cumberlege, Oxford University Press, 1953. Pott 8vo. First thus. Original blind-stamped navy cloth, gilt. Silk marker ribbon. Unclipped d/w is a bit rubbed and tanned, with tiny loss to the spine ends. Near fine in very good d/w. #533 in The World's Classics. Includes Black-Ey'd Susan by Douglas.....
London: Oxford University Press, 1962. Pott 8vo. First impression. Original blind-stamped navy cloth, gilt. Jacket design by Paul Hogarth. Clipped d/w is dust-marked, a little foxed at the edges and has a chip from the bottom edge of the front panel. Near fine in good + d/w. #585 in The.....
London: Oxford University Press, 1960. Pott 8vo. First impression. Original blind-stamped navy cloth, gilt. Jacket design by C. Walter Hodges. Unclipped d/w very slightly faded on the spine and with just a hint of rubbing. Fine in fine d/w. #576 in The World's Classics. Includes John Dryden's Aureng-Zebe. A nice.....
London: Geoffrey Cumberlege, Oxford University Press, 1951. Pott 8vo. Reprint. First published in The World's Classics in 1923. Original blind-stamped navy cloth, gilt. Jacket design by L. Vilaincour. Clipped d/w is rubbed, a bit tanned and dust-marked and has a tear to the bottom edge of the back panel. Near.....
London: Oxford University Press, 1961. Pott 8vo. First edition thus. First published in 1913. Original blind-stamped navy cloth, gilt. D/w by Ian Ribbons. Clipped d/w is a bit dust-marked and with a hint of rubbing to the extremities. Near fine in near fine d/w. #581 in The World's Classics.