London: The Nonesuch Press, 1928. 4to. Limited edition. #419 of 1475 copies. Original orange-stained vellum, gilt. Top edge gilt 'on the rough', others untrimmed. Double page illustrations from Botticelli's drawings in Berlin and Rome. Spine faded, as usual. Boards unwarped and contents clean. Near fine.

London: The Nonesuch Press, 1928. 16mo. Limited edition. #1064 of 1550 copies. Original white buckram with bevelled boards, gilt. All edges untrimmed, top edge gilt 'on the rough'. In brown stencilled, patterned paper slipcase, as issued. Printed in Monotype Bodoni on Pannekoek mould-made paper. Engraved title page, the headpiece to...

London: The Nonesuch Press, 1927. 12mo. Limited edition. #143 of 1500 copies. Original quarter parchment with vellum tips, and combed marbled paper sides, gilt. Top edge gilt, others untrimmed. In plain dust-wrapper, as issued. Line block illustrations by Thomas Lowinsky. The d/w spine has split with loss (which is why...

London: The Nonesuch Press, 1928. 8vo. Limited edition. #776 of 1250 copies. Original full limp parchment with pigskin thongs, gilt. In slipcase as issued. Hand-set Janson, composed at the Nonesuch Press, on Van Gelder handmade paper. Fine in fine slipcase.

London: The Nonesuch Press, 1923. 8vo. Limited edition. #613 of 625 copies. Original quarter dark red stained parchment, with cream and red Italian patterned paper-covered boards and endpapers, gilt. In matching slipcase. Ink presentation inscription on prelim. Slipcase is split and missing a portion of the back. Near fine in good slipcase.

London: The Nonesuch Press, 1961. 8vo. First edition. Limited edition. O#304 of 750 copies. Original terracotta cloth, gilt. All edges untrimmed. Black Ingres paper dust-wrapper. D/w slightly rubbed. Fine in near fine dust-wrapper. The last limited Nonesuch edition.

London and San Francisco: The Nonesuch Press, 1923. 8vo. Limited edition. #107 of 850 copies. Original quarter natural canvas with brown Fabriano Ingres paper boards and endpapers, gilt. Fine. The second publication by the press.

London: The Nonesuch Press, 1934. 8vo. Limited edition. #387 of 1000 copies. Original green cloth over bevelled boards. Title in gilt on the spine and three inlaid silver foil panels on front board printed in black. All edges untrimmed. Frontispiece wood-engraving by Blair Hughes-Stanton. Covers a bit dust-soiled. Near fine...

London: The Nonesuch Press, 1933. 8vo. Limited edition. #150 of 1000 copies. Original quarter leather with grey-green Ingres paper-covered boards, gilt. All edges untrimmed. D/w rubbed at tips and with a small chip at the head of the spine. Near fine in near fine dust-wrapper. Originally conceived as a general...

London: The Nonesuch Press, 1953. 8vo. Original grey cloth printed with blue arabesque patterns. All edges untrimmed. In glassine dust-wrapper as issued. Wood-engraving on title page by Joan Hassall after the so-called Ermine portrait at Hatfield attributed to William Segar. D/w has a few tiny chips and tears. Fine in...

London: The Nonesuch Press, 1931. Tall 8vo. First edition. Original dark blue buckram, gilt. Spine slightly faded. Fine. The author makes his case that a quarrel between Shakespeare and some people in Southwark contributed to the characters of Justice Shallow and his nephew Slender in The Merry Wives of Windsor.

London & New York: The Nonesuch Press & The Dial Press, 1924. 4to. Limited edition. #1120 of 1250 copies on Japon vellum. Original cream paper-covered boards, blocked in gilt with Granjon type ornaments and rules. All edges untrimmed. Printed in Monotype Plantin with some revisions. Engraved title-page, headpiece on page...

Campden & London: The Essex House Press, 1908. Crown 8vo. First edition. Original cloth-backed paper-covered boards. Paper label on spine. Half-tone illustrations throughout. Cocked. Corners worn. Bump to top edge of back board. Covers rubbed and toned. Some foxing to the label. Contents clean. Very good +.