London: Routledge and Kegan Paul, 1949. 12mo. 2 volumes, set. First editions. Original blue cloth, gilt. Neat ink ownership on the top corner of each flyleaf. Unclipped d/ws are tanned on the spine and slightly rubbed along the top edges. Near fine in near fine d/ws. Volumes from 'The Muses'.....
London: Routledge and Kegan Paul, 1950. 12mo. First edition. Original blue cloth, gilt. Unclipped d/w is a little dust-marked and rubbed with tanning to the spine. A volume of 'The Muses' Library'.
London: Routledge and Kegan Paul, 1953. 12mo. First edition. Original blue cloth, gilt. Neat ink ownership on the top corner of the flyleaf. Unclipped d/w is tanned on the spine and slightly rubbed along the top edge. Near fine in near fine d/w. A volume of 'The Muses' Library'...
London: Routledge and Kegan Paul, 1958. 12mo. First edition. Original blue cloth, gilt. Neat ink ownership on the top corner of the flyleaf. Unclipped d/w is a little tanned on the spine and slightly rubbed along the top edge. Near fine in near fine d/w. A volume of 'The Muses'.....
London: Oxford University Press, 1964. 8vo. First edition. Original brown cloth, gilt. Wood-engravings by David Gentleman. Unclipped d/w a little tanned and faded on the spine. Fine in near fine d/w.
London: Picador, 2009. 8vo. First edition. Original black hardcovers, silvergilt. Fine in fine d/w.
London: MacGibbon & Kee, 1965. 8vo. First edition. Original brown hardcovers, gilt. Unclipped d/w tanned and faded on the spine. Fine in near fine d/w.
London: MacGibbon & Kee, 1951. 8vo. Second printing. Original brown hardcovers, gilt. Unclipped d/w tanned and faded on the spine. Fine in near fine d/w.
London: MacGibbon & Kee, 1964. 8vo. First edition. Original brown hardcovers, gilt. Foyles sticker to front pastedown. Unclipped d/w tanned and faded on the spine. Near fine in near fine d/w.
London: MacGibbon & Kee, 1968. 8vo. Second impression. First published by New Directions (New York, 1962) and first issued in the UK in 1963. Original brown hardcovers, gilt. Unclipped d/w spine a little faded. Fine in near fine d/w.
London: Faber and Faber, 1956. 8vo. First edition. Original blue cloth, gilt. Neat ink ownership on the top corner of the flyleaf. Unclipped d/w is faded on the spine, with tiny loss to the foot and larger chips to the head. Near fine in good + d/w.
London: Faber and Faber, 1969. 8vo. First edition. Original black cloth, gilt. Neat ink ownership on the flyleaf. Near fine in near fine d/w.
London: Rupert Hart-Davis, 1960. 8vo. First edition. Original burgundy cloth, gilt. Top edge stained blue. Wood-engravings by Joan Hassall. Unclipped d/w slightly tanned on the spine and with just a hint of rubbing. Near fine in near fine d/w.
London: Faber and Faber, 1960. 8vo. First edition. Original blue cloth, gilt. Neat ink ownership on the top corner of the flyleaf. Unclipped d/w just a little toned on the back panel. Near fine in near fine d/w. A nice copy.
Manchester: Carcanet, 1994. 8vo. First edition. Original black hardcovers, gilt. Unclipped d/w very slightly tanned on the spine. Fine in fine d/w.
London and New Haven: Methuen & Co. Ltd and Yale University Press, 1953. 8vo. Second, revised edition. First published in 1939. Original dark terracotta cloth, gilt. Neat ink ownership on top corner of the flyleaf. The unclipped d/w is tanned, especially on the spine, and has a short closed tear.....
London and New Haven: Methuen & Co. Ltd and Yale University Press, 1953. 8vo. Second, revised edition. First published in 1939. Original dark terracotta cloth, gilt. Neat ink ownership on top corner of the flyleaf. The unclipped d/w is a little rubbed along the top edge and tanned, especially on.....
London and New Haven: Methuen & Co. Ltd and Yale University Press, 1954. 8vo. Second, revised edition. First published in 1940. Original dark terracotta cloth, gilt. What looks to be a small ex-library stamp has been erased from the verso of the title page causing small holes just below the.....
London: Jonathan Cape, 1967. 8vo. First edition. Original dark brick and cream hardcovers, gilt. Jacket design by Leigh Taylor. Signed by the author in black ink on the flyleaf. Fine in fine d/w. The author's second book of poetry. Inscribed, 'Many Thanks for Thinking This worth buying! Ted Walker March.....
London: Jonathan Cape, 1965. 8vo. First edition. Original dark brown and cream hardcovers, gilt. Jacket design by Leigh Taylor. Poem in blue ink, signed and dated (Chichester 1965), on the flyleaf. Obituary of the author from The Independent in 2004 loosely inserted. Fine in fine d/w. The poem Ted Walker.....
London: Faber and Faber, 1991. 8vo. First edition. Original navy hardcovers, gilt. Fine in fine d/w.
Oxford: Oxford University Press, 1963. 8vo. First edition. Original navy cloth, gilt. Top edge stained blue. Jacket illustration by Trevor Brierley Lofthouse. Jacket faded on the spine and with a tiny nick to the head. Fine in near fine d/w.
London: Oxford University Press, 1966. 8vo. First edition. Original navy cloth, gilt. Top edge stained blue. Jacket illustration by Reynolds Stone. Unclipped d/w is faded on the spine and has clear laminate fixed to it. Fine in near fine d/w. Part of the Oxford Standard Authors Series.
New York: Alfred A. Knopf, 2006. 8vo. 'Second Knopf Hardcover Edition'. First published in 1992. Original crimson cloth, gilt. Silk marker ribbon. Fine in fine d/w. A definitive hardcover edition of the author's epic poem.
Manchester: Carcanet, 1993. 8vo. First edition. Original black hardcovers, gilt. The unclipped d/w has a nick to the top edge of the front panel. Fine in near fine d/w.