London: Victor Gollancz Ltd, 1935. 8vo. First edition. Original black cloth lettered in green. Spine-faded, slightly dust-soiled and rubbed d/w has a portion missing from the front panel. With ringed pencil mark to front panel. Near fine in very good dust-wrapper. From the Victor Gollancz archive.
London: James Barrie, 1955. 8vo. First edition. Original black cloth. Small stain to bottom of fore edge. Neat ink ownership, dated 1956, on fly. D/w a little rubbed and tanned with a couple of nicks. Near fine in very good + dust-wrapper. A collection of 27 ghost stories with contributors.....
London: Humphrey Milford, Oxford University Press, 1929. 16mo. Reprint. First published in The World's Classics in 1907. Original green pebble grain 'moroccoette', gilt. Rounded corners. All edges stained green. Ink presentation on fly. Near fine. #129 in The World's Classics. A variant binding.
London: Geoffrey Cumberlege, Oxford University Press, 1955. 16mo. Reprint. First published in The World's Classics in 1929. Original quarter red polished morocco over red cloth boards, gilt. Top edge gilt. Silk marker ribbon. Patterned paper endpapers. Boards very slightly bowed with light marking to the cloth. Near fine. #345 in.....
London: Geoffrey Cumberlege, Oxford University Press, 1956. 16mo. Reprint. First published in The World's Classics in 1930. Original quarter red polished morocco over red cloth boards, gilt. Top edge gilt. Silk marker ribbon. Patterned paper endpapers. Both boards bowed with light markings along the leading edges. Otherwise near fine. #355.....
Oxford: The Clarendon Press, 1967. 8vo. 6 volumes, set. Third edition. (First, large paper, edition 1923). Original blue leather, gilt. Top edges gilt. Silk marker ribbons. Black and white plates throughout each volume. Each volume is rubbed at extremities. Volumes 3, 4 & 5 have been pulled at the head.....
London: Oxford University Press, 1957. 16mo. Reprint. First published in the Oxford World's Classics in 1930. Original quarter red polished morocco over red cloth boards, gilt. Top edge gilt. Silk marker ribbon. Patterned paper endpapers. Both boards bowed with light markings to the cloth. Otherwise near fine. #356 in The.....
London: Oxford University Press, 1963. 16mo. Reprint. First published in The World's Classics in 1931. Original blind-stamped navy cloth, gilt. Jacket illustration by Lynton Lamb. Neat ink ownership on fly. D/w slightly faded on the spine. Near fine in near fine d/w. #389 in The World's Classics.
New York: Farrar, Straus and Giroux, 1973. 8vo. First US edition. Original black cloth spine, silvergilt, with grey paper-covered boards. Top edge stained maroon. Jacket design by Lawrence Ratzkin. Small triangular stain on front pastedown (adhesive mark of a removed label?) Unclipped d/w has a constellation of tiny marks towards.....
London: Jonathan Cape, 1966. 8vo. First edition. Original off-white hardcovers, gilt. Jacket design reproduces Max Ernst's painting, The Eye of Silence. Signed "J. G. Ballard" in blue ink on the flyleaf. The same ink appears to have been used to score through the second "crystalline river" which has been printed.....
London: Jonathan Cape, 1967. 8vo. First edition. Original hardcovers, silvergilt. Small bookseller's label (Jockel's Books) on the front pastedown. Unclipped d/w is slightly faded on the spine, rubbed along the edges, has a crease towards the bottom edge of the front panel and some faint damp-staining to the top and.....
London: Victor Gollancz Ltd, 1984. 8vo. First edition. Original black hardcovers, gilt. Pages browned as usual (poor quality stock). D/w price-clipped and very slightly faded on the spine. Near fine in near fine d/w. First state jacket with quotations from Graham Greene and Angela Carter on the back panel...
London: Victor Gollancz Ltd, 1984. 8vo. First edition. Original black hardcovers, gilt. Pages browned as usual (poor quality stock). Unclipped d/w is very slightly faded on the spine. Fine in fine d/w. First state jacket with quotations from Graham Greene and Angela Carter on the back panel.
London: Jonathan Cape, 1981. 8vo. First edition. Original tan hardcovers, lettered in black. Jacket design by Bill Botten. Tiny chip to the head of the d/w spine, otherwise fine in fine d/w.
London: Jonathan Cape, 1975. 8vo. First edition. Original blue hardcovers, gilt. Top edge stained blue. Jacket design by Craig Dodd. Slight shelf lean. Covers a little faded. Ink ownerships on both front endpapers. Unclipped d/w a bit creased, rubbed and dust-soiled. Very good in very good d/w.
London: Jonathan Cape, 1975. 8vo. First edition. Original blue hardcovers, gilt. Top edge stained blue. Jacket design by Craig Dodd. Fine in fine d/w. A lovely copy.
London: Jonathan Cape, 1982. 8vo. First edition. Original navy hardcovers, gilt. Jacket design by Bill Botten. Fine in fine d/w. A collection of short stories. A lovely copy.
London: Jonathan Cape, 2005. 8vo. First edition. Original olive cloth, printed in black and white. Publisher's band around the rear board. Fine with fine band.
London: Jonathan Cape, 1996. 8vo. First edition. First impression. Original black hardcovers. Fine in fine d/w.
London: Jonathan Cape, 1998. 8vo. First edition. First impression. Original black hardcovers, silvergilt. Fine in fine d/w.
London: Jonathan Cape, 2000. 8vo. First edition. First impression. Original black hardcovers, gilt. Fine in fine d/w.
London: Jonathan Cape, 1991. 8vo. First edition. First impression. Original beige hardcovers, gilt. Fine in fine d/w.
London: Westhouse, 1946. 8vo. Original ochre cloth. Black lettering on the spine and a Bawden design on the front cover. Dust-wrapper, frontispiece and ten full page illustrations by Edward Bawden. Cloth edges a little dust-soiled. Unclipped d/w is tanned on the spine and portions of the back panel, with small.....
London: The Folio Society, 1958. Narrow 8vo. First edition thus. Translation first published in a limited edition by The Nonesuch Press in 1929. Original quarter black cloth, gilt, with patterned paper boards designed by Edward Bawden. In brown paper-covered slipcase as issued. Endpapers and eight colour lithographic plates by Edward.....
London: Geoffrey Cumberlege, Oxford University Press, 1950. 16mo. Reprint. First published in The World's Classics in 1913. Original quarter red polished morocco over red cloth boards, gilt. Top edge gilt. Silk marker ribbon. Patterned paper endpapers. The head of the spine has a tiny split. Covers a little rubbed and.....