Cambridge: Cambridge University Press, 1970. 4to. 2 volumes, set. First editions. Original brown buckram, gilt. Top edges stained brown. Colour frontispiece in each volume. Black and white photographic plate section in volume 2 and numerous drawings by the author. Nick to the top edge of the front panel of the.....
New Haven & London: Published for The Paul Mellon Centre for Studies in British Art by Yale University Press, 2001. 4to. First edition. Original rust cloth. Illustrated throughout in colour and black and white. D/w very slightly faded on upper panel. Fine in fine dust-wrapper.
Upper Denby: The Fleece Press, 2016. Square 8vo. Limited edition. One of 150 standard copies (there were also 120 specials). Original quarter blue black cloth, with paper label to spine, and patterned paper boards based on a Dunbar Hay cloth sample. Illustrated throughout in colour and black and white, with.....
Cambridge: Cambridge University Press, 1995. 4to. First edition. Original blue cloth, gilt. Illustrated throughout in black and white and with two colour plate sections. Mint in d/w.
Shepton Beauchamp: Richard Dennis, 1995. 4to. Reprint. First published in 1986 in a limited edition of 750 copies by Dalrymple Press. Original laminated printed boards. Illustrated throughout in colour and black and white. Fine.
London: Dalrymple Press, 1986. 4to. Limited edition. #444 of 750 copies by Dalrymple Press. Original yellow cloth lettered in black down the spine. Illustrated throughout in colour and black and white. Unclipped d/w is slightly faded to the front panel towards the spine. Fine in near fine d/w.
London: Country Life, 1914. Folio. First edition. Recent navy half-leather with blue cloth boards. Spine with five raised bands and a title label in red leather, gilt. Top edge gilt. New endpapers. 233 illustrations, mostly photographs in black and white. Slight foxing to the text block edges. One inch tear.....
London: Country Life, Limited, 1927. Folio. First edition. Original maroon buckram, gilt. Top edge gilt. Marbled endpapers. Numerous drawings and black and white photographs throughout. Spine faded. Light wear to corner tips and spine ends and two tiny tears to the cloth towards the top edge of the back board.....